Monday, September 12, 2011

Spider-Man: The Original Clone Saga



Reprints Amazing Spider-Man #139-150 (plus 3 pages of 151), Spectacular Spider-Man #25-31,149, 162-163 & Annual #8.

Written by Gerry Conway, Bill Mantlo, Archie Goodwin & Mark Gruenwald.

Penciled by Ross Andru, Gil Kane, Jim Mooney, Frank Miller, Sal Buscema, Mark Bagley & Ron Lim.

Inked by Frank Giacoia, Dave Hunt, John Romita Sr., Mike Esposito, Sal Buscema, Keith Williams and Tony De Zuniga.


Bronze Age storylines don't get much more Bronze Age-y than this one.

This collection was just published in July, so I figure it' s a good one to start with.
Summary:
(Since some of you may not have read this story, I'll be avoiding any spoilers.)
Gwen Stacy, the love of Peter Parker's life was murdered by the Green Goblin in Amazing Spider-Man #121, buried in #123. But she shows up alive in Peter's apartment. He is shocked and angry, insisting she can't be still alive.

"Gwen" is actually a clone. She is part of a scheme concocted by the Jackal. Before the story ends, Spider-Man comes face to face with a clone of himself! How can he defeat a foe that knows him and has all the same powers?! And who, exactly, is the Jackal?
But that's not all! While trying to figure out the mystery behind Gwen's "resurrection", he must also combat villains like Scorpion, Mysterio, Lizard, Tarantula, plus new villains Cyclone and the Grizzly. Not to mention one of the few appearances of the Spider-Mobile and a guest appearance by the Man-Thing!

Gwen's clone also impacts Peter's life out of costume. Aunt May encounters the clone and the shock causes her to have a heart attack, putting her in the hospital. Peter had recently gotten over Gwen's death and his relationship with Mary Jane had gotten more serious. Gwen's return confuses Peter and MJ tells him he needs to figure out his feelings before they can have a future together.

Spider-Man eventually defeats the Jackal and the "Spider-Clone". Gwen realizes she's not the genuine article and leaves town to start a new life. Peter then begins to wonder if he is a clone or the real Spider-Man. After a battle with Spencer Smythe's Spider-Slayer, he knows that he is the one and only Spidey!

A few years later, a zombie-like villain calling himself Carrion shows up. He has the power to kill people by simply touching them. Carrion can also levitate and read minds. This combination of powers makes him a very dangerous foe. He has some connection to the clones of Spider-Man and Gwen, but we're not sure what that is. Carrion offers up his services to the Maggia (the Marvel Universe version of the Mafia), telling them that he will kill Spider-Man for them, he possesses information about Spider-Man that no one else has. He is rejected by the Maggia's leader, the Masked Marauder, because he is too dangerous.

The Marauder then takes center stage for a few issues, wreaking havoc around New York with his Tri-Man android. When Spider-Man attempts to stop them from robbing a bank, he is blinded by the Marauder's opti-blast. With the help of Daredevil, Spider-Man must learn to cope with blindness and stop Marauder and Tri-Man from blowing up Manhattan with a nuclear bomb!

At the same time, Carrion is creeping in the background of the story, looking for Peter Parker. He eventually finds Parker and attacks him in the ESU library. He knows that Spider-Man and Parker are one and the same, and has knowledge of the cloning that took place. Spider-Man doesn't understand how someone he's never met could know so much about him and want to kill him. What is Carrion's secret? In addition to Daredevil, this portion of the story also guest stars Hector Ayala, AKA the White Tiger!

Review:


I first read this story years ago in back issues of ASM and reprints in Marvel Tales. But the story has never looked better in any printing. If you're a fan of the Ross Andru era of ASM, you should pick up this book on that basis alone.


Back in 1995, Marvel reprinted some of these stories in a tpb called Spider-Man:Clone Genesis. This was done to cash in on the second Clone Saga.


But that book only contained reprints of ASM 141-150 (plus the first three pages from 151) and Giant-Size Spider-Man #5. This new edition adds ASM 139-140 and the follow-up Carrion story from Spectacular Spider-Man #25-31. The Daredevil/Marauder portion of the SSM story has been reprinted before, but never in its entirety (reprints usually pick up with #26 or 27). So that's a nice "bonus", even if it doesn't directly relate to the "clone" business.


So if your copy of Clone Genesis is worn out (like mine), or you just want an upgrade, this tpb is worth the price.

Story:
Gerry Conway writes a very good story here. The Jackal isn't the scariest villain in Spidey's Rogues Gallery, but he comes off as a very dangerous character here. Some of the sub-plots are just tangential to the clone business, but so what? It's all Bronze Age fun, with some of Spider-Man's greatest villains. Conway quit the title after issue #149, so Archie Goodwin ably filled in on #150 to wrap up the first part of the book.


Bill Mantlo wrote the SSM portion that introduces Carrion and it's just as good. Mantlo did some good work on Spectacular Spider-Man in the 70s and 80s that is often overlooked. Carrion is an extremely dangerous and disgusting antagonist who can kill people by simply touching them. And he knows Spider-Man's secret identity, which makes him even more dangerous. Mantlo also does a great job making the Masked Marauder a credible threat. The Marauder was usually a generic, B-grade villain, but here he blinds Spidey and comes close to destroying New York City!

If there are any flaws in Mantlo's script, it's Carrion's origin. We're never given a detailed explanation about how he got his powers, but that's a minor criticism, and fairly common in comic books.


Art:
I always liked Ross Andru's Spider-Man art, in ASM and Marvel Team-Up. Comic legend Gil Kane provides the art for the reprint of #150. In the SSM stories, we get pencils by Jim Mooney and Frank Miller, with inks by Frank Springer. These issues also mark the first time Miller drew Daredevil, but it's a far cry from his art on Daredevil's title. Miller's pencils are a bit overpowered by Springer's inks, so you don't see the "Miller Daredevil"(inked by Klaus Janson) that you might remember from the 80s,  but it still looks good and there are a few panels that resemble Miller's classic work on DD.

How does it look?
It looks great. Here's a short video of what the book looks like inside:




Extras:

Four post-Bronze Age follow-ups from SSM and SSM Annual. These were published in 1988, '89 and 90, written by Conway with art from Sal Buscema and Mark Bagley. They're not bad, but they don't add anything to the earlier tales.

My rating:
4 Sals!





Strongly recommended. This is a classic story that any fan of Spider-Man and Bronze Age comics should own, pick up Spider-Man: The Original Clone Saga today if you haven't already!

Bonus!:
In ASM #153, Roger Slifer wrote a response to all the fan mail written in response to the Clone Saga, addressing some of the (alleged) flaws and discrepancies in the plot. It was not included in the tpb, but it's a nice supplement. If you haven't read the story, though, DO NOT click on the image below, as it contains SPOILERS.


That's all for now,

J.A.

Saturday, September 10, 2011

Introduction

Why review or blog about Bronze Age reprints? What's so great about that era?


I'll start by saying that the Bronze Age of Comics is my favorite era. It's usually defined as 1970 until 1985.


Many of the greatest creators of the Silver Age (and some from the Golden Age) were still working in the industry: Jack Kirby, Roy Thomas, Herb Trimpe, Ross Andru, John Buscema, Jim Mooney, Sal Buscema, Dick Dillin, Gene Colan, Joe Sinnott, Jim Aparo, and Gil Kane continued to work during the Bronze Age.
At the same time, we got an amazing influx of new writers (Gerry Conway, Steve Englehart, Bill Mantlo, Chris Claremont, Doug Moench, Marv Wolfman, Mark Gruenwald, Steve Gerber, Don McGregor, Len Wein, etc.) and artists (George Perez, John Byrne, Klaus Janson, Rich Buckler, Frank Brunner, Marshall Rogers, Joe Staton, Frank Miller, Dave Cockrum, Paul Gulacy, Keith Pollard, Mike Grell, P. Craig Russell, Terry Austin, Michael Golden, Walter Simonson, Mike Zeck, Howard Chaykin, and more). What an amazing combination of talent, old and new!

The stories were dramatic, action-packed, sometimes over-the-top (even by standards of comic books!) and occasionally ridiculous, but usually very enjoyable. Most Bronze age issues had a summary of the characters' origin on the splash page, so the comics were a lot more accessible than today's stories with their convoluted "continuity".

Plus, what a cast of characters in Marvel alone! We had traditional Super Heroes (Spider-Man, Avengers, Daredevil), Martial Artists (Iron Fist, Shang Chi), Barbarians (Conan, Red Sonja), Pulp heroes (Doc Savage), Super-Powered Aliens (Warlock, Mar-Vell), Demons (Ghost Rider, Son Of Satan) and monsters (Dracula, Frankenstein, Godzilla), all rubbing elbows and populating the same universe!


At DC, Jack Kirby arrived and launched his Fourth World titles, which introduced Darkseid, one of the greatest villains (in any media) of all time. We got the first appearance of Swamp Thing (and his later revamp by Allan Moore), Batman returned to his darker roots, villains got their own titles (Joker, Kobra, Secret Society Of Super-Villains), and The New Teen Titans became one of the most beloved Super-Teams of all time.

Both big companies launched new team up titles: Marvel Team-Up, DC Comics Presents, Super-Villain Team-Up.

We also saw an explosion in the world of Independent comics. Harvey Pekar's American Splendor, the Pinis' Elfquest, Dave Sim's Cerebus, and Los Bros. Hernandez' Love And Rockets were launched during this era. These creator-owned series would influence the mainstream comic companies.



I began reading comics in the 70s, but I didn't really start collecting monthly issues until 1980, near the back-end of the Bronze Age. I started with the big, popular titles like Uncanny X-men, Amazing Spider-Man and Incredible Hulk.

But that's also the same year I began buying back issues. I was 8-9 years old, so I looked for good stories, not "investment opportunities" in my quest for back issues. I found that comics from the 1970s were affordable and (generally) more fun than their Silver Age counterparts.


I started out buying the big-name popular titles (Hulk, Spider-Man), but then I discovered offbeat series like Master Of Kung Fu, Secret Society Of Super-Villains, Luke Cage, Hero For Hire, Strange Sports Stories, Defenders and Champions. I still believe there was more freedom in the storytelling during that era, more than during the Silver or Modern ages of comics.
But the era gave us more than just those "quirky" 70s favorites. It was the Bronze Age that gave us the "All New, All Different" X-men, the Avengers epic-length 'Korvac Saga' and Frank Miller's noirish take on Daredevil.I've long felt that the Bronze Age is still underrepresented in reprint books. For the past decade or so, you could enter the average comic book store and see dozens of books with Silver Age stories from Marvel and DC. You'd find tons of reprints of 90s/2000 stories, with maybe a few 80s reprints of something besides X-Men stories. But you wouldn't find that many Bronze Age stories on the shelves. This is starting to change, as the 'Marvel Masterworks' series is going further into the 70s, reprinting Bronze Age adventures of the FF, Avengers and Spider-Man.
But there should be more! How about a tpb featuring Who Remembers Scorpio? from The Defenders (with art from a young Keith Giffen)? Or a collection of every Amazing Spider-Man story that featured the Punisher before he got his 1980s mini-series? Why hasn't DC given us a nice, glossy reprint of Crisis On Earth Prime from 1982?

This may be a pipe dream, but I hope the comic companies get the message from this blog and other like-minded folks on the net that the Bronze Age is a beloved era, and give us some more high-quality reprints of Bronze Age stories. If nothing else, I hope this blog will encourage Bronze Age fans to "vote" with dollars and pick up some of these reprint books. Yes, there are always back issues, but books are easier to store than comic boxes! And books are also easier to take on long trips or lunch breaks, another reason I pursue tpbs/hardcovers instead of back issues. The only thing the books don't have is letters columns, so you don't get the exact same experience of reading the issues. But I'll trade a letters column for nice, pristine pages.

What I'll be reviewing here:
Any reprint in any format of any story that was originally published during the Bronze Age.
I'll mainly be focusing on trade paperbacks and hardcovers. But there were also some stories from the era reprinted in giant "Treasury-sized" comics and "regular" sized comics like Marvel Tales or Marvel Milestone Edition, so some of those editions may be reviewed here as well. Some of these reviews will cover reprints that came out last Wednesday, some will cover reprints published a decade or two ago.

I'll try to review stuff that's available for a reasonable price and not hard to find at stores or online. So don't expect any reviews of $100 Miracle Man tpbs.

What about reprint books that have stories from multiple "Ages" of comics?
Good question.
If a tpb/hardcover contains stories from more than one era, only the Bronze Age portion(s) of will be reviewed. Post-Bronze Age stories in such books will be treated like dvd extras/bonus material.

Most of the reprints reviewed here will feature stories published by the Big Two, but I reserve the right to review reprints published by smaller publishers like Fantagraphics, Eclipse, and others if they're available.
Also, some of the reprints will contain stories I've never read or only read part of in their original comic book form. So my reviews won't be solely based on nostalgia.

What I will NOT be reviewing
:
Reprints of Gold & Silver Age stories that happened to be published during the Bronze Age, like Marvel Triple Action, Marvel Double Feature, DC 100 Page Spectacular and Marvel's Greatest Comics.

None of the Marvel Essentials or DC Showcase black and white books will be reviewed unless the stories contained in them were originally published in black and white (such as reprints of Marvels 1970s black and white magazines). I know these books have their following, but when I read a reprint, I like it to be in its original color scheme. Plus, I'm not crazy about the paper quality in those b&w books.


Our rating system:

It's been said that the quintessential artist of the Bronze Age of comics was Sal Buscema.


"Our Pal" Sal Buscema


His art was everywhere in the 70s/early 80s. He's most famous for his work on the Hulk, but he also penciled Fantastic Four, Defenders, Captain America, Marvel Team-Up, Avengers, Spectacular Spider-Man, Rom, etc.


Last year, I posted this comment about Buscema on the great Bronze Age Babies blog:
"to this day, when I think of what comic book art is 'supposed to look like', I think of Sal's work."


Sal draws himself as the Hulk, from Marvel Age Magazine #14

Sal Buscema is truly the Patron Saint of the Bronze Age and this blog!

So instead of giving "stars" or whatever when I review reprints, I'll be giving Sals!
For example:
4 Sals




= Classic, fun story with great art, an excellent plot, something you'll read many times and recommend to all comic fans, even Bronze Age newbies.



.5

= Very good, certainly worth reading and owning, but a step down from the above.

And so on.

Check back soon for our first review,

J.A.