Black Widow: Marvel Team-Up

Reprints Marvel Two-In-One #10, Marvel Team-Up #57, 82-85, 98 and 141 and Marvel Comics Presents #53, 70 and 93
Written by Chris Claremont, Bill Mantlo, Marv Wolfman, Christopher Priest, Roger McKenzie, Fabian Nicieza, Robert Campanella, Dan Slott and Tom DeFalco.
Penciled by Bob Brown, Sal Buscema, Will Meugniot,  Ron Frenz, Greg Laroque, Rob Liefeld, Larry Alexander and Dwayne Turner.
Inked by Klaus Janson, Steve Leialoha, Dave Hunt, Bruce Patterson, Mike Esposito, Bob Wiacek, Jack Abel, Al Milgrom, and Dwayne Turner.

Summary:
170 pages of Bronze Age greatness starring martial artist and super-spy the Black Widow!

On a peaceful springtime Sunday afternoon in Central Park, the serenity is broken by a high-speed car chase! At the wheel of the lead car is Natasha Romanoff, better known to the world as the Black Widow! She's being chased by a car full of armed gunmen.

Elsewhere in the park, Ben Grimm, The Thing of Fantastic Four fame, is enjoying a pleasant walk through the park with his girlfriend Alicia Masters. Their afternoon is interrupted when Black Widow's car crashes into Ben. She and the Thing are then taken captive by the gunmen to a prison in the middle the Atlantic Ocean.

The heroes learn that the gunmen are part of a terror organization that calls itself the Sword Of Judgement. Their leader, known as Agamemnon is an old acquaintance of the Widow. The Sword has a thermonuclear bomb powerful enough to wipe out New York City and all its citizens.

Can Ben Grimm and Black Widow prevent the Sword Of Judgement from detonating the bomb?!

Some months later, Spider-Man stumbles on a robbery of an antique store on Madison Avenue. The wallcrawler stops the robbers, but is then attacked by the Silver Samurai, who has battled Daredevil and Black Widow in the past.

Surprise gives the samurai the advantage, but fortunately, Black Widow arrives to assist Spidey!

Can their combined might defeat the Silver Samurai?!

Subsequently, a school teacher named Nancy Rushman is walking through Midtown Manhattan and is attacked by a gang of muggers. Thankfully, Spider-Man intervenes and saves the day. The webhead immediately recognizes "Nancy Rushman" as none other than the Black Widow!

But Rushman has no memory of being a superhero. Spider-Man digs the Widow's costume out of her bag and convinces Nancy to try it on. She does, but this does nothing to bring back her memory.  Spider-Man has another problem when he finds himself attracted to "Nancy," and the attraction is mutual.

In the midst of this, Spidey and Nancy are attacked by Agents of SHIELD! Suddenly, Nancy goes into full "Black Widow-mode" and takes out the agents. However, Nancy still doesn't recall her life as the Widow.

Spider-Man and Nancy soon discover that the SHIELD agents are being mind-controlled by the master criminal known as the Viper! The villain is also accompanied by the Silver Samurai and Boomerang! In addition to crushing the heroes, Viper plans to destroy the United States Capitol while every U.S. leader is in the building for a Presidential address.

Fortunately for Black Widow and Spider-Man, help arrives in the form of Nick Fury and Shang-Chi, Master Of Kung Fu!

Can the heroes thwart the Viper's plans and restore the Widow's memories?

Sometime after that, an intelligence agent named Simon is kidnapped by a gang of criminals. Simon is an old friend of the Black Widow. With the help of Spider-Man, the Widow learns that Simon is being held captive at a Long Island mansion. 

When the heroes arrive, they're shocked to learn that the villain running the show is their old enemy the Owl! A recent battle has left the Owl crippled, but the Maggia crime cartel has outfitted him with a floating wheelchair that's a veritable arsenal! Can Spider-Man and Black Widow save Simon and defeat the Owl?

Finally, during a New York City blackout, looters raid a pawnshop. Spider-Man arrives to stop the looting, but when the pawnbroker pulls a rifle on the looters, he's shot to death by an unseen assailant.

A young man named Juan Santiago is arrested and charged with murdering the pawnbroker. During his arraignment, he's represented by one of New York's best lawyers, Matt Murdock. Since Murdock is actually Daredevil, his superpowers enable him to detect that Juan is telling the truth about his innocence. However, he can't explain that to the authorities without exposing his identity.

When Murdock tell his old friend the Black Widow (who knows Murdock is Daredevil) about his client's innocence, the Widow decides to investigate the underworld to find the real killer. Spider-Man joins Black Widow's quest for the truth. They capture a few criminals, but don't get any closer to finding the killer.

In the middle of their investigation, Spider-Man disappears! The webhead seems to have vanished and no one knows where he is! Thankfully, Murdock puts on his Daredevil costume and helps the Widow solve the mystery.  But in order to free his client, Daredevil may have to make a deal with one of his greatest foes: Wilson Fisk, the Kingpin Of Crime!

Can Black Widow and Daredevil locate the real killer before it's too late for Juan?  And what has happened to Spider-Man?

Review:
Black Widow: Marvel Team-Up is a fun book and a nice showcase for Natasha Romanoff. It's worth noting that Black Widow was not part of any ongoing series when these stories were published. This allowed writers to include her in team-ups and avoid messing up continuity or worry about what she was doing in another series that month.

Story:
The opening story, taken from Marvel Two-In-One #10, features good interactions between the Thing, Black Widow and their captors. Chris Claremont wrote this and it includes some nice character development for Ben Grimm. He hates being a "monster," but we get a scene where Ben acknowledges that if he wasn't the Thing, he wouldn't have been able to save the world from the Sword Of Judgement's bomb. The only problem with this story is that Agamemnon and his minions are generic gunmen who are never seen again.

Claremont also penned the second adventure, from Marvel Team-Up #57. There isn't much in the way of story, but it's an entertaining brawl that features Spider-Man and Natasha taking on Silver Samurai.

The heart of this book is the four-part story that features Black Widow, Spidey, Shang-Chi, and Nick Fury teaming up against Silver Samurai, Viper, and Boomerang. When Widow is brainwashed into thinking she's a teacher named Nancy Rushman, Spider-Man thinks to himself that he might like her better as "Nancy" and they begin to fall for each other. Under a different writer, this could have come off as creepy, but Claremont handles this well. Since he's a superhero, of course Spider-Man ultimately helps Natasha regain her memories and puts his romantic interests in Nancy aside so that Black Widow can regain her memories and help save the day.  

The Owl tale was plotted by Marv Wolfman scripted by Roger McKenzie. It's a solid done-in-one that shows a menace like the Owl could be dangerous even if he's confined to a wheelchair.

Last but not least, the Spider-Man/Black Widow/Daredevil two-parter was written by the trio of Tom Defalco, Christopher Priest, and Bill Mantlo. It's a good street-level crime story that also features an early appearance of Spidey's black costume.

There is one big problem with the last three stories reprinted in Black Widow: Marvel Team-Up. In the Viper story, Spider-Man helps Widow regain her memories. Yet in the next story, Natasha at one point observes that, "It's true what they say about Spider-Man. All that he cares about is the glory." She doesn't make any reference to her "Nancy Rushman" phase in the next story either. I realize different writers wrote these stories, but that's a continuity gaffe. They could've written at least one sentence where Black Widow acknowledges how Spider-Man saved her life and helped her regain her memories.  

Art:
The art in Black Widow: Marvel Team-Up is good from start to finish. The opening story features Bob Brown's pencils inked by Klaus Janson. It's good storytelling from the art team that also collaborated on Daredevil during the Bronze Age. I thought this page below (left) perfectly captured the helplessness of Alicia Masters when she realizes Ben Grimm is missing:

Sal Buscema and Dave Hunt are the art team on the second story. They provide nice Marvel house style art and lots of great fight scenes. Buscema gives us one of his trademark scenes where a character gets punched towards the reader.

The Nancy Rushman story also features Buscema on pencils, inked by Steve Leialoha. These two artists had very different styles, but they work very nicely together here. Buscema and Leialoha create a great-looking combination of both their styles and it's the best art in the book.

Will Meugniot and Bruce Patterson are the penciler and inker, respectively, on the Owl story and it features enjoyable art. Meugniot is best known for his work in independent comics and animation and this is one of only six Marvel stories Meugniot penciled.

The last tale features pencils by Ron Frenz and Greg LaRoque, with Mike Esposito embellishing their work and they produce some solid house style art.

How Does It Look?:
Here are two pages scanned from a copy of Marvel Team-Up #82:

And here's how the pages look in Black Widow: Marvel Team-Up:

Extras:
This book features three stories published after the Bronze Age, three pages of original art, plus Black Widow's profile from the 1983 edition of The Official Handbook of the Marvel Universe.

Black Widow: Marvel Team-Up is a good book and a nice introduction to the Black Widow's Bronze Age escapades. These stories aren't classics, but they're fun and the Nancy Rushman saga makes the book worth buying all by itself.

J.A. Morris' rating:

3 Sals.

Joe Sinnott:1926-2020

We lost another giant of the comics industry the other day. Joe Sinnott, one of the greatest inkers in this history of comic books, died this past Thursday at the age of 93.

Sinnott's career began in 1950 and ended when he retired from inking the Spider-Man daily comic strip in 2019.  He was best known for inking Jack Kirby on the Fantastic Four from 1966 to 1971.

Sinnott was also one of the most prolific inkers of the Bronze Age. He embellished some of the best pencilers of the 70s and early-80s, including John and Sal Buscema, George Perez, John Byrne, Keith Pollard, Rich Buckler and Don Perlin.

Sinnott inked Fantastic Four for 15 years and helped maintain a look for the characters that stayed consistent in spite of the many pencilers that came and went. However, Sinnott was so skilled that his inks never overpowered the work of the great pencilers he embellished. Perhaps that was his greatest talent.

John Byrne inked by Joe Sinnott, from a 1978 Marvel calendar.

I send my deepest sympathies to Sinnott's friends and loved ones. From what I've read in the last 48 hours, "Joltin' Joe" was almost universally loved and respected by everyone in the comics industry. I never got the chance to meet Sinnott, but if I had, I would've told him thanks for all the great work and thank you for bringing so much enjoyment to my life and the lives so many other fans.  

Fantastic Four Visionaries: John Byrne Vol. 2

Reprints Fantastic Four #241-250
Written, penciled and inked by John Byrne.

Summary:
The Fantastic Four are sent by SHIELD director Nick Fury to the African nation of Wakanda to investigate a "power pocket." They're accompanied by Human Torch's girlfriend Frankie Ray, who has recently discovered that she has powers similar to those of the Human Torch.

Wakanda's King T'Challa, also known as the Black Panther, joins the FF on this task. Shortly after their expedition begins, the heroes are captured and taken to an underground city that resembles Ancient Rome.

It's ruled by a man who calls himself Emperor Gaius Tiberius Agustus Agrippa. Gaius de-powers the Fantastic Four and takes them prisoner. He plans to make the Invisible Girl his queen. But if the Fantastic Four are to survive, only Sue can save them.

Next up, Galactus' herald Terrax attacks New York. He is trying to break free of Galactus and takes Manhattan hostage, taking it into outer space. He demands that the Fantastic Four battle Galactus for him.  

In the middle of this battle, Galactus arrives and easily disposes of Terrax. Galactus needs nourishment and decides to consume Earth's energies. The FF attack him and they're assisted by Doctor Strange, Captain America, Wasp, Iron Man and Thor. The heroes are successful in defeating him, but the Big G is near death. Before they can appreciate their victory, Reed makes a controversial decision to save Galactus.

But the ravager of worlds is not grateful to Earth. Galactus needs to feed on the planet and is preparing to do so. But Frankie Raye steps forward and offers an alternative to Galactus: if he spares Earth, she will serve as his new herald. The Fantastic Four are opposed to this, especially Johnny Storm. Frankie becomes cosmically powered and is now called Nova. She leaves Earth to find planets Galactus can feed upon. The Human Torch is devastated by Frankie's departure.

Sometime later, Sue returns to the Baxter Building and finds Ben and Reed unconscious. She discovers Johnny being attacked by a man she doesn't recognize. With her teammates out of commission, the Invisible Girl will have to go it alone against an extremely powerful foe. She will be shocked when she learns the identity of her opponent.

Subsequently, The Fantastic Four visit the Latverian Embassy so they can deliver the body of Doctor Doom, since their last battle ended with Doom in suspended animation. Doom regains consciousness and transports the FF to Latveria. For once, Doom is not trying to destroy them, but is seeking help from the Fantastic Four. The heroes recently helped the Latverian resistance movement overthrow Doom's rule of their tiny nation. Zorba, rightful monarch of Latveria, took power of the country.

However, under Zorba's rule, the country has fallen apart. Crime is rampant and Latverians are starving. Zorba's response has been a declaration of martial law, with Doom's old robots serving as Latveria's new secret police force. Doom says that the Fantastic Four owe it to Latveria to help him regain his throne.

They're reluctant at first, but after seeing the plight of Latveria, the Fantastic Four join forces and help Doctor Doom, since they feel partially responsible for Latveria's plight. Can the FF and Doom succeed in overthrowing Zorba?

Following the events in Latveria, the Fantastic Four fly to the moon to visit their old friends the Inhumans. They've been invited to the naming ceremony for Crystal and Quicksilver's infant daughter. All is well, until the entire surface of the moon is taken captive by a giant alien.

This creature is so huge that it is unaware that the FF and Inhumans are present. How can the Fantastic Four hope to defeat a being that is 1000 miles tall?!

When they return to Earth, New York is attacked by Gladiator, the alien Shi'ar warrior who has battled against and alongside the X-Men in the past. Gladiator's spaceship was driven off its course, which forced him to land on Earth. He mistakenly thinks he's arrived on the Skrull homeworld. The FF show up to stop him, but they're easily defeated by Gladiator.

But as soon as Gladiator has dispatched one team of heroes, another arrives to confront him: the Uncanny X-Men! But appearances can be deceiving.

Plus, Spider-Man and Captain America arrive to help the Fantastic Four deal with Gladiator!

Review:
Fantastic Four Visionaries: John Byrne Vol. 2 contains some great material written and drawn by one the Bronze Age's greatest storytellers. I remember buying some of these fresh off the spinner racks and I've enjoyed these tales for more than three decades.

Story:
We start off with a good done-in-one story guest starring the Black Panther. It's a nice nod to the Panther's early appearances in The Fantastic Four. In early issues written by Stan Lee and penciled by Jack Kirby, stories were often broken into chapters. Byrne brings that back here, making it feel like a Silver Age tale told with a Bronze Age sensibility.

A great three-part Galactus story follows. Byrne shows that being heroes makes you do things that sometimes seem antithetical to heroism, like saving the life of Galactus. While Terrax is certainly a bad guy, Byrne reminds readers that Terrax became Galactus' herald when he was forcibly recruited by the FF.

This portion also contains a nice brief scene where Spider-Man and Daredevil, Marvel's "street level" heroes, decide that fighting Terrax and Galactus is above their pay grade.  

The book ends with the great Gladiator battle. Gladiator was created as an analog to Superman and Byrne shows that Gladiator should be considered one of Marvel's heaviest hitters, up there with Hulk, Thor and Juggernaut. Gladiator makes mincemeat of the Fantastic Four in the first round of their battle.

While most of this book features very serious drama and action, Byrne also finds time for some lighter, humorous moments. For instance, the scene below-right, where Reed shows off his new re-usable Christmas Tree:

And I still smile at the Thing's "Indian Jones" costume!

There are some stories contained in this tpb that aren't great. The essential message of the Doctor Doom story is that some countries are better off being ruled by totalitarian dictators. My academic background is in history and political science. I try to not to take comic book stories too seriously, but I've always had a problem with this story and can't endorse that idea. I figure Byrne just wanted to return Doom to his status quo of Latverian monarch and this was how he decided to pull that off.

The story from FF #245 begins with five pages of Sue debating a talk show host about her powers and her decision to take Reed's last name. It doesn't really add anything to the story.

The Inhumans story also isn't that great. It's one of those "it was all just a dream" tales and it isn't exactly essential FF material.  

But on the whole, these are great stories and Byrne's love for the characters shines through on every page.

Art:
Byrne pencils and inks every panel of Fantastic Four Visionaries: John Byrne Vol. 2 and all of it looks great. 

This scene here, where Gladiator punches the Thing through 8 cars is a nice example of how great Byrne's art looks in this tpb!:

And Spider-Man's guest appearance near the end of the book gives us this gorgeous splash page that features the wallcrawler:

On the bottom left panel of the second page, Byrne draws a nice homage to the cover of Amazing Fantasy # 15, which featured Spidey's first appearance:

Byrne's art is wonderful to behold from start to finish. It looks great in this glossy tpb.

How does it look?:

It looks great, here's a scan from a copy of Fantastic Four #250:

This is how the same pages look in the reprint:

Extras:
I'm not sure this really counts as an "extra," but Fantastic Four #250 ended with a pinup of the FF penciled by Byrne, that's included in the back of this tpb.

Rating:
Fantastic Four Visionaries: John Byrne Vol. 2 features mostly good stories and art that still looks, dare I say it, fantastic 35 years after it was originally published. If you're a fan of John Byrne's art, this book is must-read, since these stories never looked better.

J.A. Morris' rating:

4 Sals!