Showing posts with label Jimmy Olsen. Show all posts
Showing posts with label Jimmy Olsen. Show all posts

Friday, April 22, 2016

Jimmy Olsen by Jack Kirby Vol. 1



Reprints Jimmy Olsen #133-139, 141
Written and penciled by Jack Kirby.
Inked by Vince Colletta.

Summary:
Jimmy Olsen is getting ready to depart Metropolis to cover a major story for the Daily Planet. He's been assigned to report about a strange region called the Wild Area. Jimmy will be traveling with his friends the Newsboy Legion, a team of teenage crime fighters. The Legion has constructed an amazing super-powered car called the Whiz Wagon that will carry them on their journey. The creation of their new automobile was funded by Morgan Edge, who owns the Daily Planet and its parent company, Galaxy Broadcasting Systems (GBS).


We later learn that Edge has sent Jimmy on this assignment because he doesn't expect Olsen or the Newsboy Legion to make it back alive. Olsen's friend Clark Kent is suspicious of Edge and is worried about Jimmy. Edge catches on to Kent and arranges for him to be killed in an accident. Since Clark is secretly Superman, he survives the attempt on his life and decides to follow Jimmy and the newsboys. Edge is working with a criminal organization called the Inter-Gang and is taking orders from a mysterious figure.

Jimmy and the Newsboy Legion arrive in the Wild Area. No one over age 25 is allowed to remain in the region. Upon arrival, they're attacked by the Outsiders motorcycle gang. Olsen and the Legion defeat the Outsiders in a fight, which makes Jimmy the new leader of the Outsiders.


Superman locates Jimmy and the Legion  and warns them that they're in great danger. Jimmy wants to be left alone to finish his assignment for the Planet. Under Jimmy's direction, the Outsiders blast the Man Of Steel with kryptonite, rendering him unconscious.


Jimmy decides their next stop will be the Mountain Of Judgement.

Superman flies behind Jimmy and discovers that the "mountain" is actually a giant truck, converted from a missile launcher.


It serves as home to a nation of people known as the Hairies. They welcome Jimmy and the newsboys, but near tragedy strikes when the Hairies detect a bomb in the Whiz Wagon! Superman bears the brunt of the explosion, and Jimmy finally realizes that he was sent by Morgan Edge to bomb the Hairies.

Edge contacts the real mastermind of operation: Darkseid of Apokolips! Darkseid's minions Simyan and Mokkari construct a giant from cells taken from Earthmen. The giant's sole desire is to kill Superman. This will help Darkseid achieve his goal of ruling the universe.


When the giant attacks the Man Of Steel, Superman is shocked to see that his opponent is a giant, green super-strong version of Jimmy Olsen! Darkseid's flunkies have coated this "Giant Jimmy" with kryptonite, which makes him a tough opponent. Superman is assisted in his fight against the giant by another hero called the Golden Guardian.


He is a "replica" of the original Guardian, who was an ally of the original Newsboy Legion during the 1940s. The Guardian will prove to a valuable asset to Jimmy and the Legion.  

Later, back in Metropolis, Morgan Edge meets with comedian Don Rickles. Edge wants the famous insult comic to sign a contract with GBS. Rickles' lookalike, GBS researcher Goody Rickels is also around, which leads to some confusion.


Goody, Jimmy and the Guardian are captured by a gangster known as Ugly Manheim. Jimmy and friends unwittingly consume pyro granulates. This means they will burst into flames in twenty four hours unless they find an antidote!


Will Jimmy, Goody and Guardian turn into human fireballs? And what will happen when Don Rickles comes face to face with Goody Rickels?


Review:
Jack Kirby's departure from Marvel to DC is usually cited as one of the demarcation points that ends the Silver Age and begins the Bronze. This is Kirby's first work after the move to the "Distinguished Competition," which makes these stories historically important.

Story:
This is one of the hardest reviews I've ever posted here. Reading Jimmy Olsen by Jack Kirby Vol. 1 more than four decades after they were originally published, you can still feel the energy in Kirby's storytelling.

It must have been shocking for 1970 readers to see Jimmy act the way he does here. For most of his comic book life, Olsen was dependent on Superman to bail him out of trouble. Kirby gives us an Olsen who is so determined to make his name in journalism that he orders a kryptonite attack on the Man Of Steel. The cover of Kirby's first issue even features Olsen directing the Outsiders to gun down Superman!

I'm sort of neutral about the Newsboy Legion. They're okay, but a little of them goes a long way. Flipper Dipper might seem a bit dated today, but I'll give Kirby credit for giving the Legion a little more diversity than their WWII counterparts.

I enjoyed the Don Rickles/Goody Rickels story, in spite of its silliness. It's the last story in the tpb and it was a fun way to end the book.   


Jimmy Olsen by Jack Kirby Vol. 1 also features the introduction of Darkseid. The ruler of Apokolips has since become one of the greatest villains in any media and he's one of Kirby's greatest creations. But his first appearance here, on Morgan Edge's monitor (seen in the image below), isn't very awe-inspiring.


It should be noted that in his later appearances in the tpb, Darkseid is depicted in a more fearsome manner.


But there are some problems with the material that's reprinted in Jimmy Olsen by Jack Kirby Vol. 1. The stories aren't bad, but they are sort of a mess.

There's a whole lot going on in this tpb. We've got the threat of Darkseid contrasted with the general silliness of the Newsboy Legion. Sometimes those conflicting tones balance each other out. At other times, the "deadly serious" plot collides with the light humor and they cancel out each other.

One issue is that there are many plot points that would go unexplained until later portions of what became known as Kirby's "Fourth World Saga."

Art:
Jack Kirby fills the pages of this tpb with wonderful vehicles, creatures and characters. We're also treated to several great pages where Kirby utilizes photos of the real world, something he'd previously done in Fantastic Four.



I've written here before that I'm not a fan of Vince Colletta's inking, but does a fine job in these stories.

This tpb contains lots of full-page images and several two-page spreads that look great.


And now, my biggest problem with Jimmy Olsen by Jack Kirby Vol. 1:

DC did not care for the way Kirby penciled the faces of Superman and Jimmy Olsen. They felt Kirby's version of the characters deviated too much from the familiar versions of the characters. So prior to publication, their faces were redrawn by Al Plastino and Murphy Anderson. The pages below provide a good example of this.


While they were certainly talented artists, the work of Plastino and Anderson stands out here like a sore thumb. I believe this was a terrible thing to do. Why bring in Jack Kirby, "King Of Comics,"  if you don't care for the way he draws your flagship character?

Sadly, Kirby's original drawings of these stories are long gone, with the exception of a few photocopies. I knew this before I bought this book, but every time I saw the re-drawn faces I found them very distracting.

How Does It Look?:
Here's a scan of pages taken from my old copy of Jimmy Olsen #137:


This is how the pages appear in Jimmy Olsen by Jack Kirby Vol. 1:


Looks good to me, I didn't detect any "modern" recoloring in this book.

Extras:
Kirby wrote editorials published in the letters columns of Jimmy Olsen #133-135 where he discussesd his plans for the series. They're all reprinted in this tpb.  

My rating:
Jimmy Olsen by Jack Kirby Vol. 1 features generally enjoyable stories that feature tons of action, humor and great art. This tpb is recommended for all Kirby fans and Jimmy Olsen, but the re-drawn faces cost it a half-Sal.

J.A. Morris' rating:








.5


2.5 Sals.

Friday, February 19, 2016

Superman Vs. Muhammad Ali: Deluxe Edition


Reprints All-New Collectors' Edition #c-56
Written by Denny O'Neil and Neal Adams.
Penciled by Neal Adams.
Inked by Dick Giordano, Terry Austin and Steve Mitchell.


Muhammad Ali, Heavyweight Champion of the World, is in Metropolis, training for his next title bout. Clark Kent, Lois Lane and Jimmy Olsen, reporters for WGBS News, find Ali and ask him for an interview. He agrees, telling Lois she's "prettier than Cosell."


Suddenly, an alien arrives. When Lois tries to interview him, the alien shoves her. Ali responds by punching him. The alien says he is Emperor Rat'Lar of the Scrubb. Rat'Lar has observed Earth and says its people are the most "warlike and savage" in the galaxy.

The Scrubb know that Ali is Earth's champion, so Rat'Lar proposes a fight between Muhammad and a Scrubb fighter. Ali doesn't really have a choice, since Rat'Lar has stationed a hundred warships in Earth's orbit. When Superman grabs Rat'Lar, the alien retaliates by launching missiles at St. Louis.  Thankfully, Superman is able to stop the missiles.


Superman says that alien threats are more up his alley and he should fight the Scrubb champion. Ali believes it should be him, since he was born on Earth.  Since they can't agree who will fight the Scrubb, Rat'Lar demands that Superman and Muhammad must fight each other for the right to face his champion. The alien says he can arrange for their fight to take place under a red sun, which will take away Superman's powers. Rat'Lar gives them 24 hours to prepare.

Ali is taken to Superman's Fortress Of Solitude, so "The Greatest" can give the Man Of Steel a crash-course in boxing.  Thankfully, Superman creates a boxing ring around a Kryptonian Continuum Disruptor. This means their training can take place outside the realm of normal time, giving Superman months to train.


The training session is a learning experience for Superman.  He learns that there's more to the so-called "Sweet Science" than punching.

When it's time for the fight, it's no contest. Even with months to train, Superman is no match for Muhammad Ali without his powers.


The champ pummels the superhero, knocking him out.


Thus, Ali will serve as champion and fight to save Earth.

Rat'Lar introduces Ali to his opponent, a giant named Hun'Ya. Rat'Lar says Hun'Ya was created in a Scrubb laboratory to be the perfect warrior.  How can even Ali expect to defeat such a foe?  

Ali and Superman are introduced to Hun'Ya!

If Ali can't "whup" Hun'Ya, Rat'Lar will destroy Earth!

Can Ali out-box a seemingly unbeatable opponent? Will Earth be destroyed? Even if Ali wins, can Rat'Lar be trusted to spare Earth?

Review:
This is a great one-shot story. Like many children of the 70s, I was a big fan of Muhammad Ali. He was the most famous person on Earth and the closest thing we had to a real-live superhero. I owned the Muhammad Ali doll and I cried when he lost his championship to Leon Spinks. So I've been a fan of this story for a long time. It's written, penciled and inked by some of the greatest comic book talents of the Bronze Age.

Story:
This story is the definition of fun. The original credits for the story say "Script based on an original story by: Denny O'Neil; Adapted by Neal Adams," so I'm guessing it's mostly scripted by Adams. In any event, it's a great tale with good dialogue from all the characters. The script captures Ali's public persona very well. The champ is always confident that he'll beat any opponent thrown at him, no matter the odds. Adams even gives us some of Ali's Ringside Poetry. There's a great scene where Ali says a Scrubb spaceship looks like "a cross between Star Wars, Lost In Space and a pregnant blender," which made me laugh.

Superman and Ali prepare to face off in the ring.

Superman is also well-written. He's shown as a hero who will do anything to save his adopted home planet. His interactions with Ali are also enjoyable. Rat'Lar is a great antagonist for the good guys.

Readers who are unfamiliar with Bronze Age Superman stories may be surprised to see Clark, Lois and Jimmy working as broadcast journalists working for WGBS, rather than as newspaper reporters. During the 1970s, this was the status quo in Superman comics.


Art:
Neal Adams is one of the finest illustrators I can think of and one of (if not) the greatest comic book artists of all time, and Dick Giordano does a nice job inking Adams. The art here is gorgeous from start to finish.

Jimmy Olsen serves as announcer for Ali & Superman's fight
and sportscaster Howard Cosell makes a cameo

Adams draws amazing likenesses of not just Ali, but also Ali's manager Herbert Muhammad and cornerman Bundini Brown.

Bundini Brown punches Scrubbs, Ali slugs it out with Hun'Ya.

In addition to fantastic renderings of Superman, Ali and the other characters, Adams fills this comic with lots of great looking aliens and futuristic structures.  Adams also gives us lots of cool demonstrations of Superman's powers.  And he has some unique ways of laying out panels in the book as well.  A good example can be found in the image below:



How Does It Look?:
This portion of the review may be somewhat controversial. Superman Vs. Muhammad Ali has been recolored with "modern" coloring. Here's a scan of an original page from All-New Collectors' Edition #c-56:



Beautiful work by Adams and Giordano.

This is how it looks in the reprint book:


For good measure, here's another page, from the original...


...and how it looks in the reprinted version:


I'm sorry, but it just looks and feels wrong to me. It's my understanding that the recoloring was done with instructions from Adams himself, but I still can't get behind that.  The "new" colors used here didn't exist in comic books published in the 1970s. It reminds me of George Lucas editing the Star Wars movies because they were made in the pre-CGI era. I also think the recoloring (especially the bottom panel of the above image) gives some of the art a muddied look.

Extras:
This book contains a new introduction from Adams where he discusses the process it took to create the book. DC Comics's longtime publisher Jeanette Kahn contributes an Afterword where she discusses DC's interactions with Ali and his management team.

The cover for All-New Collectors' Edition #c-56 featured likenesses of dozens of then-famous people. A key is included so that readers can figure out who's who in the cover drawing.  The book closes with eleven pages of Adams' preliminary sketches of Ali and Superman.

Superman Vs. Muhammad Ali: Deluxe Edition features an exciting story where the first superhero teams with one of the greatest and most famous athletes of all time. Adams' art is fantastic, but the weird recoloring makes an otherwise enjoyable book a lot less enjoyable. It's still recommended, but the recoloring means I can't give it a higher rating.

J.A. Morris' rating:





.5

2 and a half Sals.